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The work of Korean abstract painter Kyong Lee can be understood as a poetic exploration of color
a diluted pigment (mixed inks
motifs appear and disappear
McGlynn is interested in how a minimally-determined presentation of form can critique the residual meaning of the mediated imagery of popular culture
Rubato #10 Janise Yntema The work of Korean abstractPlate size: 13. 5 x 11. 75 34 x 30 cm. She layers paint in gestural, horizontal swaths from left to right, stacking the horizontal bands from top to bottom of the surface. An interplay of complementary colors creates a sense of push pull, endowing her compositions with nuanced luminosity. Scraping and scumbling the layers of paint, Berger gives her paintings a textured, painterly, material presence.
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