Cream Cone Louise Blyton can lead to large changes

can lead to large changes in the state of the system

the attention is directed to the space within the object

there is more than one way to look at the painting: confectionary layers or abstract lansdcape

and clusters of shapes as little paintings in themselves

Cream Cone Louise Blyton can lead to large changesSpielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion. Her saturated surfaces are luminous, with alternate glossy and matte layers, but also bear rough nail marks that scar and deconstruct the work. These etched lines and marks relate to an image and idea, and are often the underlying structure, the